Yesterday, I toured the Centro de Artes Musicales in Tijuana, a nonprofit that has set up youth orchestras in several of the worst slum neighborhoods of this sprawling town.
The CAM formed four years ago and is modeled on El Sistema, Venezuela’s youth orchestra network, which produced LA Phil director Gustavo Dudamel.
Kids whose parents are swap meet shoe vendors and security guards are playing in these orchestras in shantytown neighborhoods, including some of Tijuana’s worst. Caminos Verdes, which has a string section, spawned Teodoro Garcia Simental, aka El Teo, one of the city’s most insane narcos, which is saying a lot. There’s a choir in the north-end neighborhood where most of the kids are children of prostitutes in the Calle Coahuilas redlight district.
This is the next step in the evolution of classical music in Tijuana.
The story of how classical music came to Tijuana, a town that mostly used music as the soundtrack to a striptease, is fascinating.
I wrote about this in my second book, Antonio’s Gun and Delfino’s Dream.
In 1991, an astronomer and classical music fan had recently moved from Mexico City to Tijuana, where he found no classical music of any kind. But he had a Mexican friend in studying conducting in Moscow.
Together, they arranged to import an entire Russian chamber orchestra – 25 highly trained classical musicians, who left Moscow in the dead of January and arrived in sunsplashed TJ. They stayed, taught music and formed the Orquesta de Baja California and a music conservatory.
Like everything in Tijuana, classical music came from elsewhere. The musicians’ main support came from Tijuana’s middle classes, which are relatively large for Mexico.
From there ushered an entire movement in classical music and opera, which to me felt very underground, very punk rock – as these folks operated with an entirely DIY ethos, bracing themselves against the headwinds of the city’s dominant musical forces: the chintzy disco, techno and heavy metal that boomed from Tijuana’s many bars.
Now the CAM, 20 years later, is taking classical music to the rough neighborhoods that began as squatter settlements in so many parts of Tijuana, and some of which only recently got paved streets.
The connection to Eastern Europe, meanwhile, didn’t stop with those Russians.
Musicians from the region have continued to flow across the globe to Tijuana. Of seven female musicians in the orchestra, two are from the Ukraine, one from Armenia, and one is from Cuba, too.
Just love these stories!
