Tag Archives: Keith Dannemiller

Keith Dannemiller: A Podcast

Keith Dannemiller, a native of Ohio, has been one of the premier photographers out of Latin America for two decades now. His black and white street shots from Mexico City are strange and dazzling.

Keith and I worked together in Mexico for many years, both of us freelancers. We recorded this conversation a while back when Keith’s first book of photography — Callegrafia – was coming out. It’s sold out, but the chat is interesting – about finding what to shoot, and why, and what got him started on street photography, and how a man devoted to his craft does his job.

Keith’s new exposition of his photography is called Luz Translation, opening in the town of San Miguel De Allende, Guanajuato, on February 2. Check it out if you’re down there. It’s at Centro Cultural El Nigromante Bellas Artes, #75 Hernandez Macias and running until April 23.

Find out more about him at his website, www.keithdannemiller.com, including the photo tours he leads of Mexico City.

 

 

 

Photos by Keith Dannemiller

 

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MEXICO: Can Vigilante Justice Save Mexico?

Community militias in Mexican state of Guerrero, present suspected criminals in El Mezon plaza.

My homeboys in Mexico, Dudley Althaus and photographer Keith Dannemiller, have a new story up on Global Post asking this question, and visiting places where citizens have taken up where the police have not in the face of rampant criminality.

This town, Ayutla de los Libres, in the Mixtec region of Guerrero, has had a masked militia for a month or so. (More here on the disaster that is Guerrero lately.)

It’s interesting that the militia also is part of the usos y costumbres system under which many Mexican Indian villages are governed — unpaid municipal labor by each member of the community, including policing.

Vigilante justice is nothing new in Mexico. Lynchings have been going on for decades if not centuries. I wrote about one lynching in True Tales from Another Mexico: the Lynch Mob, the Popsicle Kings, Chalino and the Bronx.

But I take it as sad commentary on the country that the question the story poses even has to be asked.

Photo: Civilian militia, Ayutla de los Libres; Credit: Keith Dannemiller

 

 

 

 

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MEXICO: Homeless World Cup

Mexico City photographer Keith Dannemiller has some great shots of the Homeless World Cup soccer tournament.

Great idea — forming soccer teams made up of folks who are homeless, or socially/economically marginalized, and bringing them all together to compete in a soccer tournament, this the 10th annual.

On Facebook, Keith writes of some of the people he met:

“Like Ikram Moukhlis, a young Muslim woman who lives in a women’s shelter in Tangiers, Morocco. I know about 5 phrases in Arabic, she speaks no English or Spanish, but somehow we connected and I was proud of the photos I made of her. This trip to Mexico was the first time in her life to be on a plane. And then, Mauva Hunte-Bowlby, playing for England, who has been, until just recently, ‘sofa-surfing’ in London. Ms. Hunte-Bowlby is 52, and a grandmother twice over.”

Great story, fascinating event….check out Keith’s shots.

 

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MEXICO: Presidential campaign photos by Keith Dannemiller

In Mexico, ace freelance photographer Keith Dannemiller has been traveling the presidential campaign trail.

He’s got many of the shots posted online. He paused long enough to add some comments on the job …

On the campaign: I have been covering these happenings for the last 24 years — this is my fifth time – as a photojournalist for various newspapers and magazines in the US and Europe. I swore to myself that 2006 with Felipe Calderon (PAN), Andres Manuel López Obrador (PRD) and Roberto Madrazo (PRI) competing would be my swan song.

On weirdness: Just yesterday, ex-President Vicente Fox, he of the PAN, who so convincingly dethroned the PRI in 2000, says that he is backing the PRI candidate Enrique Peña Nieto for president.

Manuel Bartlett Diaz (then Secretary of the Interior and necessarily of the PRI), who infamously declared in 1988, that the vote tabulating computer system had crashed on election night, denying victory to the coalition that supported Cuauhtémoc Cárdenas for president, is now candidate for Senador in the state of Puebla from the left-center PRD party – the party of Mr. Cárdenas.

On Enrique Pena Nieto, candidate of once-ruling PRI: Everything during the trip to Queretero, three hours north of Mexico City was meticulously handled, just like it was in the good ole’ days of the PRI hegemony. Myself and the US reporter were picked up at the reporter’s Mexico City hotel and driven to the forum that Mr. Peña Nieto was leading on the aerospace industry in Mexico.

When the event was over we were led to a room by ourselves for an interview with the candidate. I was allowed to set up some small strobes with umbrellas and wander freely around the interview area. With a long lens, I could fill the frame with the candidate’s face and the images convey some of his emotional response to the questions. With the interview finished, to my surprise, Mr. Peña Nieto began to walk, surrounded by a couple of bodyguards, to his waiting SUV. I shot from the balcony of the building where we had just been and then moved down into the scrum. It took him an hour and a half to go about three hundred meters, and he was mobbed mostly by adoring female supporters, who were grabbing, kissing and posing for photos with the candidate.

On Andres Manuel Lopez Obrador, candidate of the leftist PRD: If I were a Mexican, I would vote for Andrés Manuel López Obrador. This has to do with my political and philosophical beliefs, but more importantly with his style. The man can be sardonic, ironic, funny and heartfelt all in the same speech. In a word he is more human, than any of the other candidates on the stump, and this, by a long shot. In my opinion, he leaves himself open to more revealing photos. He seems to have the ability to step outside himself, distance himself from his persona as a political candidate and look back in at the situation in which he finds himself.

Check out all Keith Dannemiller’s photographs.

 

 

 

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