Category Archives: Culture

SPORTS: Baseball’s suspensions — all Latinos

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The 13 baseball suspensions connected to Florida-based Biogenesis just announced today are notable, apart from the numbers of guys involved, for the fact that all are Latino — though Ryan Braun was also part of the case and was suspended last month.

Interesting. Not sure why. One possibility is that a group of Latino customers formed around this company, perhaps with Alex Rodriguez as the main guy. One of his nicknames in company files is “cacique,” I read. In Mexico, cacique means political boss.

Another possibility has to do with the “system” of churning out baseball players from places like the Dominican Republic and Venezuela, which sounds quite a bit like the old Hollywood studio system, namely pretty brutal and soul-crushing and surrounded by slimy agents, scouts and lawyers all filling boys’ heads with bad advice — one of which is that doping is just what you have to do.

I’ll be interested to see what further reporting reveals.

Of course, I mention this well aware that, in earlier cases, most of the players involved were not Latino.

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LOS ANGELES: The Virgin of the Carniceria

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Okay, this is actually in Long Beach.

Was driving down Long Beach Boulevard and spotted her and pulled over.

Just part of my ceaseless efforts to photograph every Virgin of Guadalupe mural in Southern California.

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LOS ANGELES: Hell Restaurant

IMG_3062I was in Compton earlier today and came upon this restaurant on Long Beach Boulevard.

El Infierno Restaurant (English: Hell Restaurant), known for its excellent menudo, was named thus by its owner, a fellow named Andres, who comes from Apatzingan in the state of Michoacan, Mexico.

Apatzingan, you may know, is in a ferociously hot part of Mexico known as the Tierra Caliente, and known for its wild ways. Frankly, I was always afraid to visit and never did.

Andres said he named it for the heat of his native region, though Apatzingan lately has become a virtual war zone, as cartels fight each other and the military.

Anyway, El Infierno Restaurant has had some tumultuous times itself.

When it was in its original spot, in a strip mall elsewhere in Compton, it was burned down during the riots of 1992. Andres rebuilt. Then earlier this year, his restaurant was shot up and then someone crashed a car into it, gutting it with fire (see photo, right).IMG_3056

Andres blamed gang members who wanted to sell drugs and didn’t like his surveillance cameras (there to protect his business). A neighboring business owner said he didn’t treat customers well and some got mad. That seems hard to believe, but whatever the case, Andres moved to the newer, bigger, better location on Long Beach, which he shares with a cleaners. (See photo above)

(Reminds me of the time when, from a bus, I spotted a taqueria in Los Mochis, Sinaloa — Tacos Hitler — no lie).

The stories you hear in L.A. if you stop and ask….

Great menudo, too.

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Filed under Business, California, Culture, Los Angeles, Mexico, Migrants, Southern California, Storytelling

LOS ANGELES: A&E Biography documentary on Drew Street and the Leon-Real family

Tonight at 10pm (9 pmCentral), A&E/Biography is showing a documentary on the Leon-Real family and the Drew Street gang, part of its (perhaps hyperbolically named) series on gangs: Gangsters: America’s Most Evil.

Anyway, I helped make this doc, interviewing with them etc. Check it out and let me know how I did. I don’t have cable….

Whatever the tone it takes, the story of Drew Street and the Leon-Real family, which I did for the LAT, was one of the most fascinating I’ve done in LA. I was totally engrossed. A saga of immigration and the underside of the American Dream. How the immigrant enclave can turn toxic.

Most of the folks on that street come from one small town in Mexico: Tlalchapa, Guerrero, which is in the Tierra Caliente, long one of that country’s most violent regions. They congregated on tiny Drew Street and the street became known back home as “El Barrio Bajo.” (The Low Neighborhood).

As one immigrant told me, “Anyone with aspirations left the street.” Most moved to Dalton, Georgia, America’s carpet capital. Those who remained turned Drew into a hive of drug and gang activity — one of the scariest in Los Angeles, with Maria Leon, a tiny woman who once sold popsicles and babysat for immigrant mothers, as the matriarch of 13 children.

Several gang sweeps and a federal prosecution have changed Drew Street.

I was just over on Drew Street and it looks better than it has in probably a couple decades at least. People can actually sell their houses there now, which wasn’t the case in 2008, at the height of the housing boom. The city seized the family’s house and tore it down, in a kind of municipal exorcism. It’s now a community garden. So that’s nice.

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Filed under Culture, Gangs, Los Angeles, Mexico, Migrants, Prison

TELL YOUR TRUE TALE: One Day in Compton

Tell Your True Tale

Hey all, I’ve just posted another story on my storytelling page, Tell Your True Tale.

Johnathan Quevedo tells the story of how Los Angeles was the lifesaver he turned to as he fled his mother’s manic depression.

Until, that is, his encounter with Latino gang members one day in Compton.

Check out “One Day in Compton” — a terrific story, very well written.

 

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PHOTOGRAPHY: Another Tuba Photo

Paramount, CA

Alfredo Herrejon, tuba player for Banda El Recodo.

Alfredo changed Mexican tuba with his playing on “Mi Gusto Es” by Banda Tierra Blanca in 1997 — a reworking of the tuba part in that classic ranchero song that ignited the imagination of dozens of younger players.

Mexican tuba playing hasn’t been the same since.

This was taken outside the shop where he has his tuba mouthpieces made — Garibaldi Musical Instruments in Paramount, CA.

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PHOTOGRAPHY: LA photo walkabout

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Hey folks, the Perfect Exposure Gallery is holding another photo walkabout of downtown Los Angeles, this time with a photographer from Magnum, the great photo agency.

Today at 5:30 p.m. at the gallery in Koreatown: 213.381.1136.

A great way to learn to use those cameras that are now so cheap, but a little complicated to use.

That last one was a blast — with LA Times photo maestro Luis Sinco.

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LOS ANGELES: Warren Oates and migrants to L.A.

Lately, I’ve been struck by how the folks who come here looking for movie or music stardom from all over the US are part of what keeps Los Angeles vibrant.

These are wannabe actors, singers, musicians, dancers, writers — folks who’ve been told by their high school drama or choir teacher in Nebraska or Louisiana that they have talent and ought to test themselves out in Hollywood.

These folks add as much dynamism and energy to the LA economy, I’d bet, as do immigrants from Mexico or Korea or somewhere, here willing to do what it takes to piece together a new life.  They just don’t stand out the way immigrants do.

I wonder what would happen to LA’s restaurant industry if they stopped coming. Probably the same as would happen if all the Oaxacans left. (Just at a Westwood restaurant where our busboy was a man from Abasolo, Oaxaca.)

I was reminded of this just now after seeing a movie with one such fellow — Warren Oates, who for my money is nearly the greatest character actor of American movies. Anyway, I can’t think of any better at the moment.

He made a bunch of great westerns, and Sam Peckinpah’s The Wild Bunch and Bring Me the Head of Alfredo Garcia. I just saw The Brink’s Job, which has a couple of fantastic scenes with Oates. Starred as John Dillinger and was in In the Heat of the Night.

You know it’s gonna be good if Warren Oates is in the thing.

Came from a burg to LA, like so many. A town in western Kentucky that apparently doesn’t even exist any more. He’d entered a drama troupe in college in Kentucky then made his way out west.

Seems to me his career was made possible by a late 1960s/early 1970s’ ethos of casting rugged, authentic-looking guys in westerns and as outlaws and the like. A revisiting of the Western movie, and a revision of the history of the American West in film that took place in those years.

Otherwise, he might well have faced a bunch of Gomer Pyle roles.

As his star rose, he became part of a Hollywood counterculture rat pack that included Peter Fonda and Jack Nicholson and did a lot of things that aged him quickly.

Died too young — at 53, I was surprised to learn. I have to say he looked a lot older than that when he passed in 1982.

Warren Oates — an American original, no doubt.

Here’s a conversation with his biographer, Susan Compo.

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LOS ANGELES: Wan Joon Kim — A Compton Rap Legend Passes

Wan Joon Kim died last night, his son, Kirk, tells me.Wan Joon Kim 002

Mr. Kim, originally from North Korea, was one of the first indoor swap meet vendors in Los Angeles, when he signed a lease to rent a stall at the Compton Fashion Center, once a Sears building, that opened as the region’s first large indoor swap meet in 1985.

At stall Z-7 by the building’s main entrance, he and his wife, Boo Ja, sold women’s products for a while, but then switched to records and cassettes.

As these were years when the first rumblings of gangsta rap were emerging from kids working out in Compton garages, in response to the city’s crack and gang violence nightmare, that’s what he stocked.

He spoke almost no English, and didn’t understand the lyrics — he preferred classical music. But like any microcapitalist, he was willing to stock what sold.  Most of the early gangsta rap stars sold their first stuff at his stall, since other record stores refused them. This included records by Eazy E’s Ruthless Records and NWA, and many who’ve since died and others who’ve gone on to other things.

Mr. Kim grew to be loved by customers and rappers alike. He and and his wife were known as Pops and Mama.

I wrote about Mr. Kim last summer. A fascinating fellow straight outta Compton.

NPR’s All Things Considered did an obituary of Mr. Kim that’s worth listening to.

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LOS ANGELES: 3rd & Vermont Photo exhibit and Oaxacan Basketball — events not to miss

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The next few days have a couple very hip events taking place west of downtown that you don’t want to miss.

On Thursday, The Perfect Exposure Gallery holds an opening of photographs by Michael Cannon, centering around the 3rd and Vermont area. That ‘s one packed section of town, and one of my favorites, with folks from Korea, Bangladesh, Oaxaca, Salvador, and probably elsewhere as well.

It was there that I grew to love the strip mall — the immigrant’s blackboard. But that’s for another blog post.

Cannon, one of whose photos is above, has been living in and shooting the area for 15 years and his images will be on display at the gallery beginning at 6 p.m. Thursday.

By the way, The Perfect Exposure (3519 W. 6th St.) is fantastic photo gallery, exhibiting some of the best photographers from Los Angeles and elsewhere. Really worth a visit.

Then on Sunday, the 2013 Oaxacan basketball season gets underway, with a tournament at Toberman Park. The ohoop1inauguration, which is as cool to behold as the games, begins at noon.

Oaxacan basketball tournaments usually involve 20+ teams and bring together folks from all over Southern California.

(I wrote about them in my first book, True Tales from Another Mexico: The Lynch Mob, the Popsicle Kings, Chalino and the Bronx — which you should also not miss.)

They used to be held at Normandie Park, a few blocks away. Normandie Park is in fact a bi-nationally famous little park due to the role it played in maintaining the Oaxacan community, mostly folks from the Sierra Juarez mountains, for many years beginning in the 1970s by hosting hundreds, probably thousands, of tournament games by now.

But tournament size and disputes with park management meant that organizers switched the events to Toberman.

Either way, a fun way to see another part of LA on a Sunday.

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PHOTOGRAPHY: Photographer of the Year, Tijuana Velvet, and 6 Things Not To Do

Enrique Felix, velvet painter

As an amateur photographer struggling always to learn more, I’m forever in awe of those who do it majestically.

Hence it’s worth noting that…

The Photographer of the Year, just selected, is Sweden’s Paul Hansen.

(Above, I’ve posted a photo of my own — Enrique Felix, one of the last of Tijuana’s velvet painters.)

Meanwhile, for the rest of us, here’s a link to what not to do:

Six Bad Photography Habits to Break  — several of which I’ll own up to, standing still being a big one.

You gotta move….as the Rolling Stones once said.

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LOS ANGELES: The Tubas have left the building … again

Los Angeles Tuba

So yet another school has lost its sousaphones to thieves who apparently will spare no effort, and overlook many other valuable items, to make off only with the tubas.

San Fernando High School’s marching band had its only two tubas stolen last month. The thieves broke into one band room, stole nothing, then broke into another and stole nothing but the tubas — overlooking guitars, violins, trumpets, drums, etc.

It’s all about banda music and the tuba’s newfound popularity here in LA, where it’s really the emblematic instrument of the era, much like the guitar was in the 1970s.

 

 

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LOS ANGELES: Dunkin Donuts coming to town…Cambodians unimpressed?

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A new doughnut chain will be coming to Los Angeles. Dunkin’ Donuts has announced that it will open stores in 2015 here in L.A. and around California.

The question is whether it will fare better than other chains who’ve had difficulty competing with the vast Cambodian-immigrant doughnut-shop network that dates to the late 1970s and early 1980s.

I told the story of how it is so many independent doughnut shops in Southern California are owned by Cambodians (well, Chinese-Cambodians really), from a country where doughnuts do not exist, in a tale about Ted Ngoy, the ill-fated Cambodian Doughtnut King, whose ambition led to his great rise and spectacular fall from grace.

Doughnut shops allowed those Cambodians who owned them to work their way into America — forcing them to speak English, deal with city halls and business licenses and landlords — in a way that other (mostly Khmer) Cambodians often did not.

Cambodian doughnut shops almost led to the downfall of Winchell’s. It’s also possible that Cambodians may be tiring of doughnut work, which requires owners to get up at 2-3 a.m. and where the profit margins are slim. Still, everywhere I go, independent doughnut shops remain owned by Cambodians.

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CULTURE: the ex-Heritage USA, seeking the ghosts of Jim and Tammy Faye

I’m in Charlotte, NC, and decided to dip over the line to visit the former Christian fun-park empire of the fallen PTL televangelists Jim and (now-deceased) Tammy Faye Bakker.

Planned as a Christian alternative to Disneyland, Heritage USA included a magic castle – “The King’s Castle” is what the broken neon lights appear to say. The castle is fenced off and has patches missing. A sorrowful end to a funpark built by an organization that made a killing praising “Prosperity Christianity” — God wants us to be rich, or something along those lines.

The grounds have a 20+ story tower that was supposed to be a condo or something for Christian elderly, I guess. It was never occupied and remains vacant, crumbling slowly amid tangled legal problems.

In the parking lot in front of the castle, a man sat in a folding chair as his son, in a helmet, practiced bike riding. He told me the property is now owned by MorningStar, a nondenominational ministry.

The man said the county will probably one day have the towers knocked down – ditto the King’s Castle.

He was reading as his son rode. His books:

Witness to Roswell: Unmasking the 60-year Coverup and Bigfoot: the True Story of Apes in America

There was a MorningStar women’s conference going on when I visited the hotel. The women were on stage talking about prophetic Christianity and raising children with the Lord. I walked the hotel and an indoor mini-Main Street, a la Disneyland, with shops in quaint Americana style, and a blue-lit ceiling.

The hotel itself is in fine condition, with colonial-style everything.

Surrounding the Heritage property are subdivisions battling for buyers’ eyes — with houses in “the low $170s” to “the $250s” – some offering “0 down payment (see agent for details).”

The streets I drove looked recent, with grown trees having just been transplanted and patched of lawn just installed. There were many children. The houses were what I want to call clapboard – slats of wood, with a bit of stone façade up front.

If I get time, I’ll visit, in Charlotte, the Billy Graham Library and something called the Rod of God Ministries.

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PODCAST: Oystein Baadsvik and Tuba Civil Rights

Oystein Baadsvik is the only tuba player in the world to make his living entirely from solo performances, his own CDs and master classes.

For the last 20 years, he has been expanding the possibilities of the world’s largest brass instrument, and reshaping the way it’s viewed by the public, as well as by the musicians who play it.

(Listen to an interview with Oystein Baadsvik, tuba virtuoso and creative spirit.)

A Norwegian by birth, Baadsvik, 46, now spends 200 days a year traveling, preaching tuba creativity and the limitlessness of an instrument born more than a century ago into accompanist captivity.

I met Baadsvik before a master class he was to give one night at the University of Southern California — itself a center of tuba effervescence. (It’s where the late Tommy Johnson taught and turned out dozens of professional tuba players; and it’s where Jim Self now teaches and continues to educate the tubists of tomorrow.)

Close to a hundred students filled the class later that evening — most of them tuba players.

During our interview, we spoke about Baadsvik’s life as a tuba soloist, the limitations other non-players have imposed on the tuba, how tuba players have subconsciously accepted these limitations, and whether a tuba civil rights movement has formed to lead the instrument out from the back of the band.

“Playing a tuba is always crossing borders, doing stuff that hasn’t been done before,” he said.

Anyway, hope you enjoy an interview with a creative spirit.

The pieces on the podcast are:

First, “Dancing with a Blue Ribbon” from his new CD, Ferry Tales.

“Winter” from Vivaldi’s “Four Seasons” from his first CD, Tuba Carnival.

Finally, “Fnugg,” also from Tuba Carnival.

 

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